Quigley's top, back and sides, bent and in the mold |
Top and back bracing |
Abalone rosette detail |
Top, back and sides |
Top and back bracing |
Abalone rosette detail |
Thinking out loud about life, Jesus, guitar-making, literature, dogs, and random stuff.
Quigley's top, back and sides, bent and in the mold |
Top and back bracing |
Abalone rosette detail |
Top, back and sides |
Top and back bracing |
Abalone rosette detail |
Christian theologians like to use sophisticated words like “transcendence” and “immanence” when talking about the fact that God is other than the world yet continually active in it, but the ancient Jewish writers of Scripture, in talking about the same things, painted word pictures.
Word pictures are much cooler than sophisticated words. Much cooler.
The first word picture we encounter is in Genesis 1:2—“Now the earth was formless and empty, and darkness covered the face of the deep, and the wind/Spirit of God brooded over the face of the waters.” (My translation)
First translation note, totally off the subject: “formless and empty” get the job done, but the Hebrew is toehoo wah boehoo. Just say that a couple of times—it’s fun, isn’t it? There is no way to translate these words that are as much fun as toehoo wah boehoo, so can we all just agree to stick with the Hebrew words and skip the boring English ones? Thank you.
Second translation note, totally on point: the Hebrew word ruach (hard ch as in ck, but deeper in your throat, like you’re clearing some…never mind) can be translated as wind, spirit, or even breath. Most English translations use Spirit of God, although the NRSV uses “wind of God.” I think both senses are intended here. If we go with wind for a second, we have the image of a wild, fierce wind blowing over the face of a wild, fierce ocean of water. Water is both necessary to life and a danger to it. You can drink it and live, or you can drown in it and die. The first humans lived near streams, lakes, and rivers, yet suffered through dangerous and damaging floods. Efforts to tame water to use it are fraught with danger, because dams burst and levees are breached. Water gives life; water kills. The two abide together, and we must accept both.
Same with wind. We need air to live, and we need the air to move in order to live, but the movement of that air can bring refreshment or destruction. A cool breeze is welcomed break from the heat; a tornado can drop suddenly from the sky and destroy whole towns. Wind brings life; wind kills. The two abide together, and we must accept both.
So this wind/spirit/life/death force blows over the face of the waters, the other life/death force. Before life can appear, they must be contained and controlled, and that is what happens with the water as the firmament is created to separate the waters above from those below and as the waters on the earth are gathered together so that dry land can appear. But the life/death tension still exists; chaos lurks in the deep, ready to reassert itself.
But what of the wind, how is it controlled? We area told that the ruach of God blows over the face of the waters. Third translation note: most translations say that it was moving, but the sense of the Hebrew is that it was hovering, which is stationary movement—again, one of those paradoxical tensions. This word is rarely used in the Bible, but one of those places is Deuteronomy 32:11—“As an eagle stirs up its nest, and hovers over its young; as it spreads its wings, takes them up, and bears them aloft on its pinions….” This is why I used the word “brood” in my translation, not in the sense of pondering something but rather of a mother bird taking care of its young, setting on the eggs to keep them warm and protected until they hatch, then watching over them while they are young and vulnerable.
This is where the other sense of ruach comes into play, for it is the Spirit of God that broods over creation, pushing and containing the life/death forces so that life can emerge and keeping chaos at bay so that life can flourish.
This is how we experience life, is it not? Our lives are full of the tension between life and death, order and chaos. The moment we are born we begin our march toward death, and it is in death that life is renewed—the food for every living thing is something that once was alive, whether it be animal, fruit or vegetable. The two things, life and death, which seems at odds with each other, are actually wrapped up in each other. Death is not an intrusion into life but rather an integral part of it. There is no life without death, nor death without life. Similarly, we spend our lives trying to create order out of chaos. Sometimes our lives seem very ordered—everything is running smoothly, there is peace, there is contentment, there is satisfaction; and sometimes it seems that the dam has broken and our lives are complete chaos. These two extremes are actually kind of rare; most of the time we are somewhere in between. But through it all, there is the Spirit of God hovering in stationary movement, brooding, caring, protecting. He brings order to our lives, and on those occasions when the chaos breaks through, he is the wind who blows in and contains the waters.
I want to explore one more way that we can understand biblical authority that is undoubtedly different than most people’s understanding of that phrase, but perhaps more in keeping with the biblical witness. A story has been described as a narrative that has a beginning, middle, and an end, and let’s assume for argument’s sake that a given author writes his story in this order. After he writes chapter one, chapter two must in some way build upon chapter one. As he writes each subsequent chapter, the previous chapters serve as a control. A character can’t change personalities each chapter, or act like events in previous chapters never occurred. The story can’t move from being a comedy in one chapter to a tragedy in the next and then a satire in the third. In other words, there has to be some internal consistency in subsequent chapters. What has been written has a certain amount of authority over that which will be written.
Now suppose that, as sometimes happens, an author dies before finishing the story, and his son, wanting to honor the father’s memory, decides to finish the story. What the son writes has to fit with what his father had written, yet he doesn’t know how his father intended the story to end, so he must be creative, but always under the authority of what has already been written. The ending must be something that is believable given what the reader already knows about the characters, the setting, and the main conflict. Ideally, the son will have done such a good job in following the trajectory of the story the father had written that the reader can’t tell where the father’s writing ended and the son’s picked up.
Now, the biblical story ends with Revelation, but the story that the Bible tells—the story of what God is doing in the world—that story hasn’t ended yet. It is still being written. It is the story of God putting the world back to rights, back to the way that he intended it to be when he created it and populated it with birds, fish, plants and animals, and humans. He is doing it through the teaching and sacrifice of Jesus and the power of the Spirit—and he is doing it through humans as well. The Bible is full of stories of God interacting with humans, drawing them into his plan, vesting them with his authority, and sending them forth to both submit to and create the outworkings of this plan.
So we can look at the Old Testament as the opening chapters of this larger story, and the New Testament as the middle chapters, but the story continues. Each of us are invited to write part of the subsequent chapters through the living of our lives, but in order to do so, we must know how the story begins, we must understand the climax of the story in Christ, and we must submit to what has gone on before so that what we write with our lives will be consistent with what has already been written. God invites a certain amount of creativity, because themes like love, mercy, forgiveness, and redemption are inexhaustible in the ways they can be demonstrated. But we don’t have complete freedom to do whatever we like—our freedom falls under the authority of Scripture. In other words, every innovation of our lives must also be consistent with the story that God has been writing throughout history, embodied in Scripture.
In this way Scripture is more than a witness to what God has been doing in the world to bring about his redemptive plan, it is a vehicle for bringing it about. When we read it, in private and out loud in public worship; when we study it in depth and allow it to become part of the fabric of our being; when we fall under its authority and live our lives as part of the continuing story, fully consistent with what has gone on before, we actually help to bring into existence the Kingdom of God toward which God is moving all creation. And when we invite others into the story and help them hear God’s invitation to write a chapter, we create the
In the last post I began looking at the issue of the authority of Scripture by asking the question, “In what ways can a poem be authoritative?” and then showing that, in many ways, applying the concept of authority to the variety of literary types found in the Bible is a category mistake. In other words, each literary type or genre has it own rules or conventions and must be examined and interpreted according to those conventions. For legal documents, authority is a proper category; a municipal code has authority limited to its municipality, while the U.S. Constitution has complete authority that is nonetheless limited to the
I’m not sure that, prior to the dominance of Enlightenment philosophy beginning in the 18th century, authority was much of an issue with regard to biblical interpretation. Even if so, it certainly wasn’t so at the level that it became, particularly for evangelicals, at the beginning of the 20th century. Before the Reformation, authority rested in the Church, ruled by priests and, ultimately, the Pope. Now, there is no confusion about authority there. We understand how people exercise authority—to control other people. But when the reformers transferred that principle to a book things got muddy. N.T. Wright expresses this well:
When people in the church talk about authority they are very often talking about controlling people or situations. They want to make sure that everything is regulated properly, that the church does not go off the rails doctrinally or ethically, that correct ideas and practices are upheld and transmitted to the next generation. ‘Authority’ is the place where we go to find out the correct answers to key questions such as these. This notion, however, runs into all kinds of problems when we apply it to the Bible. Is that really what the Bible is for? Is it there to control the church? Is it there simply to look up the correct answers to questions that we, for some reason, already know?
As we read the Bible we discover that the answer to these questions seems in fact to be ‘no’. Most of the Bible does not consist of rules and regulations—lists of commands to be obeyed. Nor does it consist of creeds—lists of things to be believed. And often, when there ARE lists of rules or of creedal statements, they seem to be somewhat incidental to the purpose of the writing in question.
Maybe the word “authority” applied to literature is like “Christian” applied to a t-shirt; just as a t-shirt can’t be a Christian, only a person can be a Christian, maybe a book can’t be authoritative, only a person can be authoritative. And just as the moon only reflects the light of the sun, so also any book that bears authority is just reflecting the authority of the person behind the book.
Ultimately, our authority as Christians is Jesus, and even Scripture falls under his authority, for he and no one or no thing else is the perfect and complete image-bearer of the Father. And it does no good to say, as some have done, that we only know Jesus through the pages of the Bible, for then I can no more have a personal relationship with Jesus than I can with any other historical figure that I can only know through the pages of some history book. No, the Christian witness is that Jesus is alive, that we can each have a personal relationship with him, and that in following him I can know God. God is our authority, but his authority is not that of a king with a sword but of a king washing his servants’ feet, and then hanging on a cross.
And God’s authority isn’t about controlling people but redeeming them so they can live the life he created them to live. And maybe that reveals a lot of our problem when we talk about religious authority, whether that of a book or of an ecclesial body or even that of God—we are still speaking of authority in terms in which the world has always defined and exercised it, whereas Jesus came to provide us a new definition of authority and a new way of exercising it. Instead of controlling people, God’s authority frees them; instead of coercing obedience, God’s authority invites obedience; instead of dictating behavior, God’s authority provides examples of the type of behavior that leads to life; and instead of authority resulting in resentment and/or power-hoarding and power-grabbing, God’s authority results in love, thanksgiving, and mutual submission.
And that’s the point: God’s authority doesn’t feel like authority, it feels like love, and that’s because that’s what it is: the authority of love. We listen to God not because we have to, but because we know he loves us and is looking out for us. And we obey, not because we have to, but because we love him and we trust him with our lives.
In what way can a poem be authoritative?
I ask that because the Bible is full of poetry, and evangelicals like to invoke something called “the authority of Scripture,” which begs the question: “In what way can a poem be authoritative?”
With some written documents the issue of authority is clear. A bill passed into law by a government in our country has authority. It must be obeyed, or there are consequences ranging from monetary fines, community service, or incarceration. These laws are authoritative, yet they all fall under the authority of another written document. The Constitution of the
Are we?
Sometimes we’ll use “authoritative” with reference to a biography, history, or even science book that is seen to be the best word, the most complete word, or the most definitive word in a particular discipline. For instance, in the first half of the 20th Century the definitive text on Southern Baptist theology was E.Y. Mullins’ “The Christian Religion in its Doctrinal Expression.” If you wanted to know what Southern Baptists believed, that was the book that you went to first and foremost. In most disciplines there are those definitive texts that are considered to be authoritative. The problem is—well, for one thing, how many of you have heard of E.Y. Mullins’ “The Christian Religion in its Doctrinal Expression”? How many of you have heard of E.Y. Mullins? He was a giant among Southern Baptists, president of the Southern Baptist Theological Seminary from 1899 until his death in 1928. But by the time that I arrived at Southern Seminary in 1981, his text was no longer the definitive text. It was good, it was useful, but it had been bypassed by other theology texts. That’s the nature of authoritative texts: they are authoritative in their time, but rarely remain so. Human knowledge grows and develops, and as we learn, texts become less relevant and authoritative.
Surely this isn’t what we mean when we say that Scripture is authoritative, is it?
A history book is authoritative if it accurately records and describes what really happened during the period on which it is reporting. Thus if a book on the Civil War says that the Battle of Gettysburg occurred on July 5-7, 1864 instead of July 1-3, 1863, we aren’t going to give much credence to anything else the book says. I think that we are getting closer to what some people at least mean by the authority of Scripture, but there are (at least) two issues to deal with here: what, for instance, do we do with John placing the cleansing of the Temple at the beginning of Jesus’ ministry (John 2:12-16) when Matthew, Mark and Luke have it at the end of his ministry in their gospels? There are other similar chronological issues in the historical sections, but even if you are able to reconcile those, you are still left with the original question: In what way can a poem be authoritative? Not all of the Bible is historical in nature. There are parables, poems, apocalypses, epistles, prophetic utterances (almost all of which are poetry), psalms, proverbs, legal codes, love songs, festival songs, and all sorts of narratives to which it is difficult to apply the concept of authority.
This is an important issue, but a difficult one once you really start to examine it. Maybe, just maybe, the issue of authority is the wrong place to start when dealing with Scripture. Like I’ve said many times, if you ask the wrong kind of questions you get the wrong kind of answers.
Maybe there are better questions to ask.
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